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      3 Oct 2008

      Geert Lovink: Zero Comments

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      [txt] Zero Comments: Blogging and Critical Internet Culture - amazon.com
      In Zero Comments, internationally renowned media theorist and net critic Geert Lovink upgrades worn out concepts about the Internet and interrogates the latest hype surrounding blogs and social network sites. In this third volume of his studies into critical Internet culture, following the influential Dark Fiber: Tracking Critical Internet Culture and My First Recession: Critical Internet Culture in Transition , Lovink develops a 'general theory of blogging.' Unlike most critiques of blogging, Lovink is not focusing here on the dynamics between bloggers and the mainstream news media, but rather unpacking the ways that blogs exhibit a 'nihilist impulse' to empty out established meaning structures. Blogs, Lovink argues, are bringing about the decay of traditional broadcast media, and they are driven by an in-crowd dynamic in which social ranking is a primary concern. The lowest rung of the new Internet hierarchy are those blogs and sites that receive no user feedback or 'zero comments'. Lovink explores other important changes to Internet culture, as well, including the silent globalization of the Net in which the West is no longer the main influence behind new media culture, as countries like India, China and Brazil expand their influence. Zero Comments also looks forward to speculate on the Net impact of organized networks, free cooperation and distributed aesthetics.
      [video] Driving - Martin Wilson on vimeo.com [vimeo=http://www.vimeo.com/736158]
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      28 Aug 2008

      MyCreativity Reader: please read it, you creative.

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      via: neural.it - edited by Geert Lovink and Ned Rossiter - MyCreativity Reader txt: The MyCreativity Reader - The Institute of Network Cultures
      The MyCreativity Reader is a collection of critical research into the creative industries. The material develops out of the MyCreativity Convention on International Creative Industries Research held in Amsterdam, November 2006. This two-day conference sought to bring the trends and tendencies around the creative industries into critical question. The “creative industries” concept was initiated by the UK Blair government in 1997 to revitalise de-industrialised urban zones. Gathering momentum after being celebrated in Richard Florida’s best-seller The Creative Class (2002), the concept mobilised around the world as the zeitgeist of creative entrepreneurs and policy-makers. Despite the euphoria surrounding the creative industries, there has been very little critical research that pays attention to local and national and variations, working conditions, the impact of restrictive intellectual property regimes and questions of economic sustainability. The reader presents academic research alongside activist reports that aim to dismantle the buzz-machine. colophon: Editors: Geert Lovink and Ned Rossiter. Editorial Assistance: Sabine Niederer. Copy Editing: Michael Jason Dieter. Design: Katja van Stiphout. Cover Image: Hendrik-Jan Grievink. Printer: Veenman Drukkers, Rotterdam. Publisher: Institute of Network Cultures, Amsterdam.
      video: Here & There - (2008) by Eoghan Kidney [vimeo=http://www.vimeo.com/1264493]
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