oddtag's posterous http://oddtag.posterous.com Most recent posts at oddtag's posterous posterous.com Fri, 19 Feb 2010 22:34:45 -0800 Through the eye of the other http://oddtag.posterous.com/through-the-eye-of-the-other http://oddtag.posterous.com/through-the-eye-of-the-other Venice waiting for a high tide, taken with a camera from the perspective of a dog. Yes, this is essential to understand, to change: learning to see things through the eyes of others. Even those of other living species. We are too often disrespectful tenants of this planet. [it] Una Venezia che aspetta l'acqua alta, ripresa con una telecamera dal punto di vista di un cane. Sì, questo è essenziale per capire, per cambiare: imparare a guardare le cose attraverso gli occhi degli altri. Anche quelli di altre specie viventi. Siamo spesso affittuari irrispettosi di questo pianeta. JANA STERBAK "Through the eye of the other" project by Bevilacqua La Masa Foundation and Teatro La Fenice Teatro La Fenice, Venice video "Waiting For High Water" Preview 27 February 2010, then from 12 March - 24 March 2010 link: www.janasterbak.com video: Urban Abstract by Musuta on vimeo.com [vimeo http://vimeo.com/7681282]

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Wed, 21 May 2008 18:36:34 -0700 re:public Refusés in Venice http://oddtag.posterous.com/republic-refuses-in-venice http://oddtag.posterous.com/republic-refuses-in-venice txt: re:public - www.ibrida.org
Re:public. “Re” as reply and “public” as public. The reply of the public. More than 100 artists, that were not admitted to the last Colletiva Bevilacqua La Masa, will face the public’s judgement in a open, clear and clean, confrontation. The public will be invited to leave a comment about the expositions and the works to create a direct confrontation that will stimulate the debate. This will be a personal growth for the audience and the artists. There will be no captions. No prepared commentary. Images of the works with the comments will be published on www.ibrida.org. Ibrida & Associazione Momos presents re:public, Refusés! The answer is public 28th May – 15th June 2008 Bacini dell’Arsenale di Venezia, Tese di San Cristoforo. Every day. From 10.00 to 13.00/ from 15.00 to 19.00 Free admittance. The Vaporetto stop- Celestia. You can take Vaporetto 41, 42 (from Ferrovia you can change vaporettos at Fondamente Nuove), 51, 52 (is a request stop). The entrance is 100 meters from the stop on the left. For the opening day and for handicapped people the entrance will be placed in the CAV building near Bacini stop (Vaporetto 41, 42). Opening day: 28th of May 2008 at 18.00
---------------------------------------- re:public Refusés! comunicato stampa [it]
Ibrida & Associazione Momos presentano re:public Refusés! La risposta è pubblica, 28 Maggio – 15 Giugno 2008, Tutti i giorni. 10.00-13.00/15.00-19.00,Ingresso gratuito. Bacini dell' Arsenale di Venezia. Tese di San Cristoforo. Fermata Celestia. Vaporetto 41, 42 (dalla Ferrovia cambio a Fondamenta Nove). Vaporetto 51, 52 (fermata a richiesta). Ingresso dalla passerella a sinistra dopo cento metri. Per il giorno dell’inaugurazione e per spettatori diversamente abili accesso dall’ingresso CAV nei pressi della fermata Bacini . Vaporetto 41, 42. Inaugurazione il 28 Maggio 2008, ore 18.00.
Ibrida & Associazione Momos www.ibrida.org ibrida.info@gmail.com img: jam-packed refuse bin Jan the manson on Flickr.com
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Wed, 12 Mar 2008 07:08:24 -0700 Tomorrow. Now. In Venice http://oddtag.posterous.com/tomorrow-now-in-venice http://oddtag.posterous.com/tomorrow-now-in-venice txt: Tomorrow now. Work without center. Conferences on the nature of art work in the digital age
The title of the event introduces the issue concerning works of art that, in the digital age, transform the idea behind exhibition space, the concept of the aesthetic fruition of the observer, and the role of the artist and of the disciplines related to art production. New works of contemporary art are born from collaborative and interactive processes. They are constructed through the immateriality of code and inhabit unusual spaces such as the internet and information streams. They intersect, and are fed by, the increasingly rapid changes in scientific and technological research and require new means of presentation and archiving.
img: Calm before the Storm - AndreA on flickr.com
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