oddtag's posterous

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      3 Sep 2008

      A new cultural economy

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      txt: Ars Electronica 2008 - A New Cultural Economy: The Limits of Intellectual Property.
      After all, regardless of the perspective from which one approaches this issue—that of the Internet pirates, the inventors of a new information commons, the pioneers of a sharing economy or the apologists of the creative industries—one thing remains true: if knowledge and content actually are to be the new capital of postindustrial society, then they have to circulate and be accessible by all.
      video: Inflatable Gang - The Wrong Door - BBC Three [youtube=http://www.youtube.com/watch?v=ZyHzYMGm1ZQ]
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      31 Aug 2008

      La fabbrica della cultura / The culture factory

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      txt: I precari dell'arte - VENEZIA Mostre ma anche progetti sul mondo del lavoro agli ex magazzini del Sale - www.ilmanifesto.it Dobbiamo ricordare - dice a questo proposito Baravalle - che tutto quello che è produzione immateriale, produzione di linguaggi e quindi anche la produzione culturale e creatività non sono più accessori nell'economia metropolitana ma sono molto spesso chiavi per quanto riguarda lo sviluppo della metropoli ----------- [en] We have to remember - says Baravalle - that all that is immaterial production, production of languages, cultural production and creativity are no longer accessories in the urban economy but are very often the keys in the development of the metropolis. video: Metropolis - an extract from Fritz Lang's Silent Film (1926) on youtube.com [youtube=http://www.youtube.com/watch?v=0Ffa3Qa4ah4]
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      31 Aug 2008

      Let's face it, it' is about life

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      txt: Edinburgh festival: art as theatre - What is the most theatrical visual art at this year's festival? - Jonathan Jones on blogs.guardian.co.uk
      Let's face it, Edinburgh festival is about live performance. It's about theatre, it's about comedy, and although the Edinburgh Art Festival, now into its fifth year, keeps getting stronger, it would be ludicrous to think it's visual art that brings summer crowds to the city.
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      31 Aug 2008

      Wisdom tip: keep it simple

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      txt: Monicelli, la freschezza a 93 anni 'Ma l'Italia ora è alla deriva' [Monicelli: freshness at 93 years old 'But Italy is now drifting']
      Un consiglio ai giovani cineasti? "Scegliere storie di una semplicità elementare, che è la cosa più difficile. Non mettere troppe cose e troppi personaggi nel tentativo di renderle interessanti. Sono le storie semplici che nel tempo continuano a emozionare". ------------------------------ [en] A tip for young film makers? Choose stories of elemental simplicity, which is the hardest thing. Do not put too many things and too many characters in an attempt to make them interesting. These are the simple stories that continue to emotion us over the time.
      links: 65th Venice International Film Festival Corto Cortissimo section. video: tuffo nel lago ghiacciato - Bovinonline on youtube.com [youtube=http://www.youtube.com/watch?v=BBSjuYCrBE0]
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      28 Aug 2008

      MyCreativity Reader: please read it, you creative.

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      via: neural.it - edited by Geert Lovink and Ned Rossiter - MyCreativity Reader txt: The MyCreativity Reader - The Institute of Network Cultures
      The MyCreativity Reader is a collection of critical research into the creative industries. The material develops out of the MyCreativity Convention on International Creative Industries Research held in Amsterdam, November 2006. This two-day conference sought to bring the trends and tendencies around the creative industries into critical question. The “creative industries” concept was initiated by the UK Blair government in 1997 to revitalise de-industrialised urban zones. Gathering momentum after being celebrated in Richard Florida’s best-seller The Creative Class (2002), the concept mobilised around the world as the zeitgeist of creative entrepreneurs and policy-makers. Despite the euphoria surrounding the creative industries, there has been very little critical research that pays attention to local and national and variations, working conditions, the impact of restrictive intellectual property regimes and questions of economic sustainability. The reader presents academic research alongside activist reports that aim to dismantle the buzz-machine. colophon: Editors: Geert Lovink and Ned Rossiter. Editorial Assistance: Sabine Niederer. Copy Editing: Michael Jason Dieter. Design: Katja van Stiphout. Cover Image: Hendrik-Jan Grievink. Printer: Veenman Drukkers, Rotterdam. Publisher: Institute of Network Cultures, Amsterdam.
      video: Here & There - (2008) by Eoghan Kidney [vimeo=http://www.vimeo.com/1264493]
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      3 Aug 2008

      The artist today is no longer a simple producer of metaphors

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      txt: L'arte di reti e relazioni, la net art e la condivisione ("Network art and relations, net art and sharing") - Punto Informatico
      [en] The artist today is no longer a simple producer of metaphors. His is not a mere symbolic function in society. It is vice versa an active partecipatore involved "directly" in production processes and social problems around them. It is this sensitivity to work cooperatively, to be able to perceive and interact with the processes social and anthropological, as well as technological, keeping firmly in front of where the beacon of ethical values-oriented common good, instead of profit, this is the sensitivity and the priority that the school must be able to convey to their students. The keywords of the School are terms like report, cooperation, interdisciplinareità, interaction, intercreatività or communication. --------------- [it] L'artista oggi non è più un semplice produttore di metafore. La sua non è una mera funzione simbolica all'interno della società. È viceversa un partecipatore attivo che interviene "direttamente" nei processi produttivi e sociali che lo circondano. È questa sensibilità al lavoro cooperativo, al saper intuire ed interagire con i processi sociali ed antropologici, oltre che tecnologici, mantenendo ben saldo di fronte a se il faro dei valori etici orientati al bene comune, anziché al profitto individuale, è questa la sensibilità e la priorità che la Scuola deve saper trasmettere ai propri studenti. Le parole chiave della Scuola sono termini come relazione, cooperazione, interdisciplinareità, interazione, intercreatività, oppure comunicazione.
      video: "Face Gear" by Giuseppe Ragazzini [vimeo=http://www.vimeo.com/1045435]
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      23 Jun 2008

      George Carlin - Stuff

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      via: Laughing Squid link: George Carlin 1937-2008, Farewell to the Class Clown definition: consume on merriam-webster.com
      Main Entry: con·sume transitive verb 1: to do away with completely : destroy: "fire consumed several buildings" 2 a: to spend wastefully : squander b: use up: "writing consumed much of his time" 3 a: to eat or drink especially in great quantity consumed several bags of pretzels b: to enjoy avidly : devour "mysteries, which she consumes for fun" — E. R. Lipson 4: to engage fully : engross "consumed with curiosity" 5: to utilize as a customer "consume goods and services" intransitive verb 1: to waste or burn away : perish 2: to utilize economic goods
      video: George Carlin - Stuff - on googlevideo [googlevideo=http://video.google.com/googleplayer.swf?docid=8896213084482448693]
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      20 Jun 2008

      A Manifesto for street poetry

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      "Senza paura, poesia gettata all'onde." Ivan (www.i-v-a-n.net) presenta la mostra Scala Mercalli (www.scalamercalli.it) a Roma, lanciando migliaia di barchette di carta con le poesie nel Tevere. "Without fear, poems thrown on the waves" Ivan (www.i-v-a-n.net) presents the exhibition Mercalli Scale (www.scalamercalli.it) in Rome, launching thousands of boats of paper with poems on the river Tevere. video: Ivan street performance in Rome by xister on vimeo.com [vimeo 1149083]
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      18 Jun 2008

      The art of Serendipity

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      txt: Serendipity - From Wikipedia, the free encyclopedia Serendipity is the effect by which one accidentally discovers something fortunate, especially while looking for something else entirely.
      The word derives from Serendip, the old Persian name for Sri Lanka,[1] and was coined by Horace Walpole on 28 January 1754 in a letter he wrote to his friend Horace Mann (not the same man as the famed American educator), an Englishman then living in Florence. The letter read, "It was once when I read a silly fairy tale, called The Three Princes of Serendip: as their highnesses travelled, they were always making discoveries, by accidents and sagacity, of things which they were not in quest of: for instance, one of them discovered that a camel blind of the right eye had travelled the same road lately, because the grass was eaten only on the left side, where it was worse than on the right—now do you understand serendipity? [...] One aspect of Walpole's original definition of serendipity that is often missed in modern discussions of the word is the "sagacity" of being able to link together apparently innocuous facts to come to a valuable conclusion. Thus, while some scientists and inventors are reluctant about reporting accidental discoveries, others openly admit its role; in fact serendipity is a major component of scientific discoveries and inventions. According to M.K. Stoskopf[3] "it should be recognized that serendipitous discoveries are of significant value in the advancement of science and often present the foundation for important intellectual leaps of understanding".
      video: Words and Thoughts in RGB by Eduardo Morais - vimeo.com [vimeo 832162]
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      14 Jun 2008

      Blublu: video art

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      If you loved "Muto" have a look at the other videos by Blu, you'll love them as well: always restless, always full of thoughts, simple and involving. And go to www.blublu.org, his site deserves definitely a visit. video: Child by blu on Vimeo.com [vimeo 426534]
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