oddtag's posterous

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      2 May 2007

      Any time, any place (goodbye Mr. Privacy)

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      "Goodbye Privacy" is the theme of this year’s Ars Electronica, the festival extraordinaire of art, technology and society in Linz, Austria. September 5–11, 2007, the focus will be on these late-breaking phenomena of a new culture of everyday life being played out between angst-inducing scenarios of seamless surveillance and the zest we bring to staging our public personas via digital media. Ars Electronica Festival 2007 "At any time, at any place, we’re capable of switching into telematic action mode, of reaching anyone and being accessible by all. With the aid of our avatars, blogs and tags, we assume digital form and adopt more or less imaginative second identities. Emerging at a rapid clip are completely new types of the public sphere featuring new rules of play and (sometimes even) new hierarchies. But it’s not merely technology, information and communication that have become omnipresent. To a much greater extent, it’s we ourselves: traceable at all times and anywhere via our cellphone’s digital signature that makes it possible to pinpoint our location to within a few meters; classifiable via the detailed and comprehensive personality profiles that we unwittingly leave behind as the traces of all our outings in digital domains. What’s occurring in the wake of these developments is a far-reaching repositioning and reevaluation of the political, cultural and economic meaning of the public and private spheres."
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      22 Apr 2007

      Right here, right now

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      It has been a matter of thinking for me in these days the difference between reality where the principles are right here, right now, right me, and you. And the internet: doesn't matter where, doesn't matter when, I don't care who really are you . [youtube http://www.youtube.com/watch?v=oP59tQf_njc]
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      20 Apr 2007

      And the Work of Art in the Age of Internet?

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      "Distraction as provided by art presents a covert control of the extent to which new tasks have become soluble by apperception. Since, moreover, individuals are tempted to avoid such tasks, art will tackle the most difficult and most important ones where it is able to mobilize the masses. Today it does so in the film. Reception in a state of distraction, which is increasing noticeably in all fields of art and is symptomatic of profound changes in apperception, finds in the film its true means of exercise. The film with its shock effect meets this mode of reception halfway. The film makes the cult value recede into the background not only by putting the public in the position of the critic, but also by the fact that at the movies this position requires no attention. The public is an examiner, but an absent-minded one." Walter Benjamin "The Work of Art in the Age of Mechanical Reproduction" 1935
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  • oddtag's posterous

    #contemporary #change #future @Venice area (Italy)

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