oddtag's posterous

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      20 Apr 2007

      And the Work of Art in the Age of Internet?

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      "Distraction as provided by art presents a covert control of the extent to which new tasks have become soluble by apperception. Since, moreover, individuals are tempted to avoid such tasks, art will tackle the most difficult and most important ones where it is able to mobilize the masses. Today it does so in the film. Reception in a state of distraction, which is increasing noticeably in all fields of art and is symptomatic of profound changes in apperception, finds in the film its true means of exercise. The film with its shock effect meets this mode of reception halfway. The film makes the cult value recede into the background not only by putting the public in the position of the critic, but also by the fact that at the movies this position requires no attention. The public is an examiner, but an absent-minded one." Walter Benjamin "The Work of Art in the Age of Mechanical Reproduction" 1935
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      14 Apr 2007

      Epilogue: An Age of Optimism

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      "I am optimistic by nature. However, every technology or gift of science has a dark side. Being digital is no exception. The next decade will see cases of intellectual-property abuse and invasion of our privacy. We will experience digital vandalism, software piracy, and data thievery. Worst of all, we will witness the loss of many jobs to wholly automated systems, which will soon change the white-collar workplace to the same degree that it has already transformed the factory floor. The notion of lifetime employment at one job has already started to disappear." Nicholas Negroponte "Being Digital" archives.obs-us.com/obs/english/books/nn/bdcont.htm
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      2 Apr 2007

      Deep Remix

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      "I believe that the "media remixability" which begins around the middle of the 1990s constitutes a fundamentally new stage in the history of media. It manifests itself in different areas of culture and not only moving images - although the later does offer a particularly striking example of this new logic at work. Here software such as After Effects became a petri dish where computer animation, live cinematography, graphic design, 2D animation and typography started to interact together, creating new hybrids. And as the examples mentioned above demonstrate, the result of this process of remixability are new aesthetics and the production of new media species which cannot be reduced to the sum of media that went into them. Put differently, the interactions of different media in the same software environment create cultural species." [complete text at http://pzwart.wdka.hro.nl/mdr/pubsfolder/manovichessay/] Deep Remixability Lev Manovich [fall 2005- spring 2006] (This text was written as part of a Research Fellowship in the Media Design Research programme at the Piet Zwart Institute, Willem de Kooning Academie Hogeschool Rotterdam)
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      23 Mar 2007

      The Machine is Us

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  • oddtag's posterous

    #contemporary #change #future @Venice area (Italy)

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