Eine is most notable for his alphabet lettering on shop shutters in London's Shoreditch, Brick Lane and Broadway Market areas. Some of these letters have been mapped for ease of finding.[3] He has also taken his lettering to the streets of Paris, Stockholm, Hastings and Newcastle upon Tyne. Prior to becoming involved in commercial graffiti, Eine was a very famous and highly credible writer in the underground London graffiti scene. [...] Eine first came to prominence in the "commercial" graffiti scene through his symbiotic partnership with London graffiti artist Banksy; through Eine, Banksy was able to access the underground scene and through Banksy Eine accessed the commercial world. Impressed by the work of Banksy Eine chose to focus on "commercial" graffiti.
Venice is a starting point, a call to go, a special destination in a world of ends. It can be so big, and so small. So open, but so closed (you know, thorns and roses..). I like the lagoon, when the vaporetto approaches to the islands, in the autumn mist. People come here from everywhere, speak all the languages, wear in completely different ways. And they go away. It's a place of the world, and of the soul.
When sport joins civilization (with a little help from the sponsors, why not) people can do smart things. Even if it's raining and there is the "acqua alta" (high tide)...
Thirteen are the typical Venetian bridges that the marathon runners meet in the last miles of the route, before reaching the finish line of Riva Sette Martiri. These 13 bridges, normally, would represent a really insuperable obstacle for the disabled athletes competing in wheelchairs. However, in occasion of the marathon, bridges are equipped with wooden ramps that help not only the wheelchairs, but also the runners, the residents and the tourists to experience Venice in easier manner. The introduction of the wooden ramps goes back to the very first edition of the Venicemarathon, however, it's in 2005 that the marathon organising committee reaches an agreement with the Architectural Barriers Elimination Office of the City of Venice in order to exted the period of availability of the ramps from a few days to several weeks. Thanks to this project, for almost two months every year, before and after the marathon, Venice acquires an accessibility otherwise impossible.
The last one to give his welcome was Oscar Pistorius: “This is the third year that I came at the Venicemarathon and to be here on the occasion of its 25th anniversary is a great pleasure for me. I am not a marathoner but a sports man and here you can find always many young people. I am the testimonial of “Venice Accessible – the barriers are overcome just by running” and I will run the Family Run on Saturday morning, there will be many wheelchair athletes….therefore these three days will be a time to do sports and have fun.
The 54th International Art Exhibition of the Venice Biennale will take place in 2011, directed by Bice Curiger. The title chosen is ILLUMInazioni / ILLUMInations - Preview: 1-2-3 June 2011 - Official Opening: 3 June 2011 - Public opening: 4 June/27 November 2011
The Biennale is one of the most important forum about knowledge and the 'enlightenment' of new developments of international art. The title of 54. Exposition, ILLUMInations literally puts the spotlight on the importance of these developments in a globalized world.
Per la prima volta in una fiera d’arte moderna e contemporanea saranno ospitate - in una specifica area riservata - associazioni, fondazioni, collettivi e spazi no-profit presenti sul territorio nazionale, che si distinguono per le loro peculiari attività di ricerca e sperimentazione in ambito contemporaneo. Independents è un progetto ideato da Fuoribiennale per la VI edizione di ArtVerona, in cui le realtà invitate hanno a disposizione uno spazio nel cuore dei due padiglioni della fiera, per tutta la durata della manifestazione.
ArtVerona inaugura una nuova sezione, nata dalla proficua collaborazione con il Teatro Stabile di Verona ed il suo direttore Paolo Valerio. Tra le proposte della rassegna, sabato 16 ottobre al Teatro Nuovo Antonio Albanese proporrà Recital, che racconta, con corrosiva comicità e ritmo serrato, un mondo popolato da personaggi tipici del nostro tempo; domenica 17 ottobre la compagnia rivelazione Babilonia Teatri, vincitrice del Premio Speciale Ubu 2009, incontrerà il pubblico nello Spazio Aletti in Fiera, all’interno del fitto programma di approfondimenti FaceToFace, e alle 21, al Teatro Nuovo di Verona, presenterà una summa antologica del loro lavoro con The Best of Babilonia.
- www.theartnewspaper.com - Ads of Sighs: The huge ads proliferating in Venice, now also lit up by night, are not bringing in huge money and stretch the application of the law to the point of illegality
- www.comune.venezia.it - Behind the billboards there is a great work .. a fronte del venire meno dei finanziamenti dello Stato, che pur ha il dovere di aiutare Venezia per la tutela del patrimonio cittadino, Comune e Soprintendenza sono non soltanto disponibili, ma interessati a recuperare e utilizzare tutte le forme possibili di sostegno alle istituzioni.
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txt:Don Giovanni in Venice 23 > 25 September Palazzo Pisani, Conservatorio B. Marcello of Venice Labyrinth Opera
The Don Giovanni by Mozart becomes Don Giovanni a Venezia, a totally new opera installation that inaugurates the 54th Festival and presents itself as a synthesis of the themes running through it. A concentration of many simultaneous events – musical, scenic, theatrical, visual – dispersed throughout the spaces of the Conservatorio Benedetto Marcello in Venice and cyclically “switched on”, Don Giovanni a Venezia disrupts our perceptive habits and creates interference between different eras. Conceived by director Luca Francesconi, Don Giovanni a Venezia is a singular experiment in production with young artists from the Conservatorio Benedetto Marcello and the Accademia di Belle Arti who will measure themselves on the professional stage against the singers and musicians of one of the major opera theatres, the Teatro La Fenice, against the composers, soloists and actors involved in this operation. A complex stage organization, engaging over 130 artistic and technical professionals, made possible by the joint commitment of four Venetian institutions: the participants in this project by the Music Biennale are the Conservatorio Benedetto Marcello, which not only put its young musicians and composers to work, but also offered its historic headquarters at Palazzo Pisani in Campo Santo Stefano, one of the most fascinating Venetian palaces, as the venue for the performance; the Teatro La Fenice, which involved its entire choir and orchestra ensemble, and opened its storerooms to lend the costumes and props; and the Accademia di Belle Arti, which will create the sets for Palazzo Pisani.