oddtag's posterous

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      8 Sep 2008

      Slow down

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      txt: The Slow Movement: Making a Connection
      Why is this happening? What is wrong? What are we searching for? The one thing that is common to all these trends is connection. We are searching for connection. We want connection to people - ourselves, our family, ourcommunity, our friends, - to food, to place (where we live), and to life. We want connection to all that it means to live – we want to live a connected life.
      links: - www.vivereconlentezza.it - Giornata della Lentezza 2008 video: maquina do tempo - music video for ULTRAMAN [vimeo=http://www.vimeo.com/77238]
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      6 Sep 2008

      Copyleft Festival 2008

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      txt: Perché un festival del copyleft - Copyleft Festival 2008
      La sequenza più logica sarebbe: l’opera circola gratis, il gradimento si trasforma in passaparola, ne traggono beneficio la celebrità e la reputazione dell’autore, quindi aumenta il suo spazio di manovra all’interno dell’industria culturale e non solo. E’ un circolo virtuoso. [en] The most logical sequence would be: the work circulates for free, his approval spread as word of mouth, it will benefit the fame and reputation of the author, and then increase its influence within the cultural industry and beyond. It's a virtuous circle.
      link: Copyleft Festival - www.copyleftfestival.net - 11/14 september 2008 - Arezzo
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      5 Sep 2008

      Art should not be a space shut in on itself

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      txt: An Interview with Maurizio Cattelan - www.sculpture.org
      Maurizio Cattelan: It feels strange to talk about sculptures. It’s not so much a question of means as of images. I never even use my hands to create my work, just my ear glued to the phone. More than anything else, I listen to the murmur of images, and that’s always louder than the echo in the phone. I’m more interested in images than in sculptures. Imagine: I never took a chisel in my hands, never even had a studio.
      img: 27 September 2007 (4) - Cle0patra on flickr.com
      Media_httpfarm3static_qygth
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      5 Sep 2008

      Snack culture

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      txt: SNACK CULTURE - www.circuitooff.com/
      Snack Culture è la fruizione di contenuti culturali sempre più condensati: un assaggio di musica con il podcast, una sitcom di due minuti, un mms o sms. I ritmi di vita oggi sono accelerati, per poter guardare un video, ascoltare musica, leggere un libro e guardare un film il tempo dedicato si riduce a pochi minuti; si sceglie tra le varie opzioni come se si scegliesse tra diversi snack. [en] Snack Culture is the fruition of cultural content increasingly condensed: a taste of music with the podcast, a sitcom of two minutes, a mms or SMS. The pace of life today are accelerated, in order to watch a video, listen to music, read a book and watch a movie time spent is reduced to a few minutes, you choose between options as if they choose between different snacks.
      video: Hot Dog Eating Contest 2007 [youtube=http://www.youtube.com/watch?v=_V-2NKUlzns]
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      5 Sep 2008

      The fun art fair

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      txt: All the fun of the art fair - From The TimesOnLine
      There is not much difference between an art fair and a fun fair. Behind the gaily painted façades and the smiles of the stallholders they are both, fundamentally, all about money. [...] Frieze has become a phenomenon because it understands a basic principle. Art fairs have to be fun. They are not about dry academic assessment of the contemporary. They are about entertainment. They must not encourage prudence. They must promote competitive consumption. In a fairground atmosphere, financial caution is more likely to be cast to the wind.
      img: shop windows - oddtag on flickr.com
      Media_httpfarm4static_gbdfo
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      3 Sep 2008

      A new cultural economy

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      txt: Ars Electronica 2008 - A New Cultural Economy: The Limits of Intellectual Property.
      After all, regardless of the perspective from which one approaches this issue—that of the Internet pirates, the inventors of a new information commons, the pioneers of a sharing economy or the apologists of the creative industries—one thing remains true: if knowledge and content actually are to be the new capital of postindustrial society, then they have to circulate and be accessible by all.
      video: Inflatable Gang - The Wrong Door - BBC Three [youtube=http://www.youtube.com/watch?v=ZyHzYMGm1ZQ]
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      3 Sep 2008

      Freeconomics: free changes everything?

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      txt: Open Source Textbooks Challenge a Paradigm - wired.com
      But he's not concerned about viability or walking into a "freeconomics" black hole. "Our premise is that there will of course be some students who spend nothing, they just consume the free book online, but we believe students are consumers and they will pay for convenience if the price is right," [Flat World Knowledge] says.
      links: - Flat World Knowledge - www.flatworldknowledge.com - Free! Why $0.00 Is the Future of Business - wired.com - The Rise of "Freeconomics" - www.thelongtail.com - Beware of Freeconomics - www.readwriteweb.com [blip.tv ?posts_id=776653&dest=-1]
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      2 Sep 2008

      I like everything is OFF

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      txt: PRESENTATION 9th CIRCUITO OFF
      After the great success of the eight edition, after it confirmed itself as the most important international cinematographic festival, entirely dedicated to short films, in Italy and one of the most renowned throughout Europe, Circuito Off returns to San Servolo between August 30 and September 5. The executive offices of Circuito Off have been invaded by 2,606 short films and the selection committee has chosen 82 films to include in the competition.
      video: Circuito Off 2008 Day 01 - Intervista Anton Corbijn [blip.tv ?posts_id=1224914&dest=-1]
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      31 Aug 2008

      OPEN XI

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      txt: OPEN XI - 11 Esposizione Internazionale di Sculture ed Installazioni / OPEN XI, International Exhibition of Sculptures and Installations - from 27 August to 28 September 2008 at Venice Lido and on the Island of San Servolo.
      Il percorso espositivo si snoda lungo i lavori di quarantaquattro artisti provenienti da tutto il mondo per costruire un pensiero geografico; non solo una soglia etnica e politica ma soprattutto un’idea. Uno spunto per poter parlare di viaggi ed attraversamenti, di forze e poteri. [en]: The itinerary of the exhibition presents the works of forty-three artists from all over the world, creating a geographical thought; not only an ethnic and political concept, but above all an idea. A cue for talking about travels and crossings, strength and power.
      video: Snap - I've got the power on youtube.com [youtube=http://www.youtube.com/watch?v=etjpVzSGqh4]
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      31 Aug 2008

      La fabbrica della cultura / The culture factory

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      txt: I precari dell'arte - VENEZIA Mostre ma anche progetti sul mondo del lavoro agli ex magazzini del Sale - www.ilmanifesto.it Dobbiamo ricordare - dice a questo proposito Baravalle - che tutto quello che è produzione immateriale, produzione di linguaggi e quindi anche la produzione culturale e creatività non sono più accessori nell'economia metropolitana ma sono molto spesso chiavi per quanto riguarda lo sviluppo della metropoli ----------- [en] We have to remember - says Baravalle - that all that is immaterial production, production of languages, cultural production and creativity are no longer accessories in the urban economy but are very often the keys in the development of the metropolis. video: Metropolis - an extract from Fritz Lang's Silent Film (1926) on youtube.com [youtube=http://www.youtube.com/watch?v=0Ffa3Qa4ah4]
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