oddtag's posterous

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      20 Sep 2009

      The age of waste

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      link: www.ageofstupid.net video: The Age of Stupid - USA trailer [youtube=http://www.youtube.com/watch?v=oya5ynJgkSY]
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      17 Sep 2009

      All in one minute

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      txt: Videominuto 2009 presentation Time is running short, especially on video. One has got to be quick, to the point, effective. 60" can do. To catch the passing feeling and process video-postcards, notes and sketches for forthcoming documentaries, aphorisms, philosophical notations, short cuts, documents in pills, deviant ads, narrative hypothesis... All in one minute. Videominuto 2009 19 - 26 September 2009 Centro per l'Arte Contemporanea Luigi Pecci Viale Repubblica, 277 - Prato video: LE FIL ROUGE by Yasuko Tadokoro - on youtube [youtube=http://www.youtube.com/watch?v=e4gQ2rS4sPU]
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      10 Sep 2009

      Forget George Clooney

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      Tu vai con amici e i bambini al Lido di Venezia, è una splendida giornata di sole. Cammini sulla spiaggia e arrivi al Festival del Cinema. Vedi pure la semi-diva che arriva sul motoscafo. Te ne freghi di George Clooney. E poi vedi l'istallazione di Daniel Glaser e Magdalena Kunz. A Venezia l'arte è quasi ovunque... txt: The Pool NYC - Daniel Glaser/Magdalena Kunz
      At The Pool NYC’s 3rd personal exhibition, Daniel Glaser and Magdalena Kunz will be presenting their most recent works. Exhibiting their cinematographic sculptures internationally, the artist couple from Switzerland have always caused great sensation. They call their figures, a mixture of film and sculpture the public often mistakes for real people, Talking Heads. In the work entitled PERFORMANCE, five performers dressed as Talking Heads rehearse a piece on the state of the world. The work JONATHAN shows a forty-something man in a rolling chair, with a leg and both arms in plaster, talking on the phone about art, artists, galleries, sales and purchases. Finally, VOICES III was created during an artist-in-residence stay of the artist duo in South Africa in 2008: six poets, wrapped in wool blankets, talk about life in the townships, formulating questions about the social and political situation in South Africa.
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      6 Sep 2009

      Si torna, si gira, e si cambia

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      Oddtag torna dalle ferie, e cambia. Intanto continua a girare per Venezia e le sue isole. San Lazzaro per esempio. L'estate è stata bella, ho girato (mai abbastanza), ma adesso è tempo di tornare a scrivere, a pensare. A volte in inglese, molto più spesso in italiano. Wake up, it's september! video: Kites in India - Macgregor on vimeo.com [vimeo http://vimeo.com/6151826]
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      17 Jul 2009

      Oddtag goes on holiday

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      Wake me up when September begins! Oddtag goes (almost) on holiday. Have a good summer. See you, why not around in Venice? video: Kuroshio Sea - Okinawa Churaumi Aquarium in Japan - Jon Rawlinson on vimeo.com [vimeo http://vimeo.com/5606758]
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      30 Jun 2009

      Art Machine: Vedova Space

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      [youtube=http://www.youtube.com/watch?v=Z0-b1FVoe58]
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      18 Jun 2009

      Arsenale Novissimo, past and future of Venice

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      Got a little time to see Venice? Go to the Arsenale Novissimo. You'll find four very interesting collateral events (Unconditional Love, The Fear Society - Pabellón de la Urgencia, Rietveld Arsenale, ADACH Platform for Venice, Jan Fabre - From the Feet to the Brain), and a unique view of one of the most important shipyard in the world for centuries. What was the main industry of the past is becoming one of the most interesting places of the future of this town. img: ADACH pavillion in Venice Arsenale
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      11 Jun 2009

      Oddtag Biennale

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      I think it's going to be my personal view of the Biennale: a journey through places, events, streets, people, art: a slow pace, a map of the collateral events and the other venues and my eyes open txt: Not seeing but drowning: my visit to the Venice Biennale
      Three days follow, throughout which you are doing pretty much nothing but looking at art, but when you leave it's clear that you've seen practically nothing at all. Did I see Krossing in Mestre? No. Did I catch Blue Zone at Campo San Zaccaria? I'm afraid not. What about Seduction into the Sign in the Campo della Chiesa? There was no time. And perhaps these are much more interesting than anything that did pass under my gaze. So the guilt sets in: what was I doing all that time? What was I thinking of?
      video: Sorry I'm Late by Tomas Mankovsky on vimeo.com [vimeo http://vimeo.com/4862670]
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      10 Jun 2009

      Slowness is a pleasure

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      txt: Venice | Slowly but Surely - themoment.blogs.nytimes.com
      To say that everybody I spoke to offered up a different and contradictory opinion on the Biennale is to state the obvious, but most people would most likely agree that this one will go down as the Slow Biennale. But that is a good thing, like a wonderful International meal cooked and eaten in one of those pretentious but simple, snooty but friendly, obvious but obscure Slow Food restaurants that are the only pride of Italy these days. (Let’s not even talk about Berlusconi or the artists in the Italian national pavilion!) [...] Suffice it to say that the slowness of the days spent in the rooms of the Biennale felt like a pleasure rather than a duty.
      video: SLOW - by Xaver Xylophon on vimeo.com [vimeo http://vimeo.com/4934166]
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      7 Jun 2009

      Lateral Biennale view

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      I haven't been to the official Biennale. Not yet. Not being part of the art jet-set or a correspondent with a strict dead line has some privileges, and lot of consequences on job.. So I've found a sort of affinity with the feelings expressed by Christy Lange on Frieze Magazine. "I started to feel relieved, and, actually, relaxed". I think that is the best way for being part of a place, Venice, and of an event, the Biennale. "And, without even realizing it, that’s exactly what I had been waiting for." txt: Postcards from Venice - pt. 5: Easy Does It - Frieze Magazine
      It was the first time I’d looked out at the tourists gliding by in gondolas and not wished that I was one of them, but rather felt I was perfectly content to be here, exactly in this spot, not worrying what I should be seeing next or what else I might be missing. Meanwhile, Kjartansson proceeded with his work unhurriedly – rearranging his easel and mixing paints and stopping to chat with his mother, while his model sat on the sofa plucking a guitar and looking sulky. I know it sounds like a bad music video, but in fact the Icelandic pavilion succeeds in creating an informal atmosphere without being shabby. And, without even realizing it, that’s exactly what I had been waiting for.
      img: 167 - kDamo on flickr.com
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